Jul 27, 2026
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1 min read
Doss, festivals on Robox, and the question of who owns the fan relationship
Jul 24, 2026
Charli xcx, Actual Records, and using cheap beer to get fans in the door for the opener
Jul 23, 2026
2hollis, Luke Combs’ 360 stage, Nina Protocol, and the music industry’s ‘chaos economy’
Jul 22, 2026
Boy Harsher, COLORSxSTUDIO, and Billboard’s midyear label market share report
Jul 21, 2026
Dana and Alden, youth music centres facing closure, and the ‘go big or stay home’ economy reshaping live music
Jul 20, 2026
Oxis, Apple Music hikes subscription price, and the new frontier of digital media
Jul 17, 2026
Lido Pimienta, India's sync market, and the UK underground’s second home
Jul 16, 2026
Stevie Bill, Cinq Music Group, Reserved by Spotify, and the radical resurgence of UK fanzines
Jul 15, 2026
Cold Gawd, pitching editorial playlists, and the UK government’s sweeping ‘Turn It Up’ industry plan
Jul 14, 2026
Ty Segall, tiny vinyl, HyperTexting, and securing O-1 visas for touring artists who want to tour the US
Jul 13, 2026
Genesis Owusu, nostalgia-driven catalog discovery, and the modern guide to getting your music on the radio
Jul 10, 2026
Show Me The Body, Spotify bundles, and the Recording Academy’s new membership class
