Jul 17, 2026
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1 min read
Lido Pimienta, India's sync market, and the UK underground’s second home
Jul 16, 2026
Stevie Bill, Cinq Music Group, Reserved by Spotify, and the radical resurgence of UK fanzines
Jul 15, 2026
Cold Gawd, pitching editorial playlists, and the UK government’s sweeping ‘Turn It Up’ industry plan
Jul 14, 2026
Ty Segall, tiny vinyl, HyperTexting, and securing O-1 visas for touring artists who want to tour the US
Jul 13, 2026
Genesis Owusu, nostalgia-driven catalog discovery, and the modern guide to getting your music on the radio
Jul 10, 2026
Show Me The Body, Spotify bundles, and the Recording Academy’s new membership class
Jul 9, 2026
Pretty Sick, Gen-Z outspending millennials on live music, and A2IM shares new Board of Directors
Jul 8, 2026
Chat Pile, the case for physical media ownership, and a fandom expert on why waiting is its own event
Jul 7, 2026
Rico Nasty, catalogue sale multiples, DistroKid, and a day in the life of a working musician on gig day
Jul 6, 2026
Nixon Boyd, the ‘Brat’ artwork creative process, and what makes China’s music market so different
Jul 3, 2026
Sienna Spiro, modern stadium touring, and using Bandsintown data to help artists find live royalties
Jul 2, 2026
Angela Autumn, the age of intentional music listening, and why community is the music industry’s new gatekeeper
