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- Daily Edit | Dec 12
Daily Edit | Dec 12
This Is Lorelei, SoundExchange, the engine of modern touring, and the final round of GRAMMY voting opens

To be clear: Holo Boy isn’t exactly “new.” It’s a 10-track collection of re-recorded tunes from the voluminous collection of Bandcamp releases — nearly 70 in all — that Amos accumulated before last year’s “proper album” breakout Box For Buddy, Box For Star. That LP — one of my favorite records of 2024 — established Amos as one of the most promising indie songwriters of his generation, evincing a gift for melody and songcraft that’s often submerged by the playful experimentation and willful strangeness of Water From Your Eyes. But hardcore fans keeping pace with Amos’ relentless output in the late 2010s and early 2020s were already aware of his preternatural gift for turning out hooky two-minute lo-fi pop songs laced with goofy eccentricity and sneaky melancholy, like a millennial Paul McCartney raised on Blink-182 and Chocolate And Cheese. -UPROXX
12 / 12 / 2025
Headlines
How to vote in the 2026 GRAMMYs: a complete final round voting guide for GRAMMY voters [GRAMMY]
Concert Stuff Group turned forty years of know-how into the engine of modern touring [SPIN]
SoundExchange CEO calls U.S. radio royalty gap ‘an extremely unusual exception in the world’ [Billboard Pro]
Shazam can now tell you the most popular moment of a song [DMN]
Mariah Carey holiday blowout continues with Waymo wrap and in-ride listening [DMN]
Signings
Hudson Freeman | management | Mother Artists


