Sep 25, 2026
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1 min read
Blondshell, Spotify ‘Reserved’, and some interesting realities about the global music market
Sep 24, 2026
serpentwithfeet, data tools on Bandsintown, and songs to listen to in a Wendy's parking lot
Sep 23, 2026
Perfume Genius, Apple’s new London venue, and the Spotify Paradox
Sep 22, 2026
AZ Chike, Reeperbahn 2026, and how the new YouTube rules are impacting music marketing
Sep 21, 2026
Σtella, playing live, and the secret history of Ibiza’s wildest 90s club night
Sep 18, 2026
beabadoobee, ‘Fresh Finds Forward’, and the American Music Tourism Act
Sep 17, 2026
Kevin Morby, touring in China, and why ‘How Long Gone’ created their own awards show
Sep 16, 2026
Calla, Tape Op, kids music on Spotify, and the changing geography of fandom
Sep 15, 2026
Locust, Suno’s new merch store, solo gigging, and the ticketing battles raging in state legislatures
Sep 14, 2026
Ganser, non-English language shows, and what it means to be a music critic now
Sep 11, 2026
This Is Lorelei, Suno’s new model built on licensed data, and the legal risks facing festivals
Sep 10, 2026
Bricknasty, Portland's venue-sized hole, and the music industrial advice complex
Sep 9, 2026
Sports Team, Glastonbury tickets, and the future of the Country Music Association
Sep 8, 2026
Swimming Paul, playlist chasing, and the next generation of stadiums’ music-led future
Sep 4, 2026
Chat Pile, Chicken Shop Date, and the explosion of Country festivals in Mexico
Sep 3, 2026
Toner, Musixmatch Pro, and IQ’s latest deep dive into the global ticketing business
Sep 2, 2026
Perennial, artists’ IP problem, and BMG-Concord’s new executive teams
Sep 1, 2026
Jonah Kagen, keeping Japan on the global touring map, and the current era of stadium touring
Aug 31, 2026
Presley Regier, Daisy Chain Fields, and a social media app that feels like the old Instagram days
Aug 28, 2026
Dahi, Clean Feed, and what the rebirth of CDs means for musicians
Aug 27, 2026
untitled (halo), music’s gender parity index, and running the numbers on ‘1,000 true fans’
Aug 26, 2026
Willi Carlisle, Austin’s new 4,000-cap venue, and a look at modern festival booking
Aug 25, 2026
Flower Face, air taxis, and why independent artists don't need another 'tool'
Aug 24, 2026
Anna Shoemaker, Bonnaroo 2027, and what’s changed for indie band tours since COVID
Aug 20, 2026
John Errol, Spotify editors, and how independent artists should measure fanhood
